I travel quite a bit for my day job, which affords me the opportunity to work with models from all over and see the vast amount of talent out there. Last year in September, I attended an industry conference in the Tampa, FL area and took my camera along under the premise of an agreement with a model that proved to be a flake once I was there. After sending a series of messages of desperation to a number of models in the area for help, I was pleased to get a response from one of the most talented models I’ve had the pleasure of working with, Sylvia Elizabeth.
When scheduling my trip to the same conference this year, there wasn’t a question about whether or not I’d reach out to shoot with her again, but only a matter of whether or not she’d be booked while I was there. Luckily, we set on a date and time, and her friend Nicki, who is a hair/makeup artist with equal talent, would be coming along. We decided on shooting a vintage themed shoot and couldn’t wait.
The day of our shoot, I would have conference meetings to attend to, but I’d get things ready before I would leave in the morning. I would go down the checklist and make sure that I had enough batteries to power my flashes, had my main and backup memory cards handy and make sure I put my camera battery to charge. Ummm, I said put my battery to charge…. WHERE THE HELL WAS MY BATTERY CHARGER?!?!? Well, it appeared that my battery charger for my Canon 1D Mark IIN was sitting at home while I was in the Tampa, FL area. So much for a photo checklist while packing! Wait a minute, I don’t have a photo checklist while packing either!! Damn… and that’s why everyone needs a checklist, folks.
What the heck would I do? I can’t cancel the day of the shoot. Not only is that really unprofessional, but a total douche move. So, I would take inventory and see what I could make of the situation. I had a dead digital camera with no chance of finding a local photo shop with a battery charger for that particular battery. Trust me; I called everyone in the surrounding Tampa-St. Petersburg area. BUT, I had brought along my Pentax 6X7 medium format film camera for casual shooting and plenty of film to shoot a few hours worth. My initial thought was, “I’ve been meaning to shoot an all film portrait session, so this is perfect!” Hardly!! I didn’t have a flash meter on me and didn’t have the available cash to go out and buy one at $300+.
However, I could always use the meter built in my Pentax. That would mean that I would be dependent on ambient or available light and not use my flashes. I did bring along a couple of fluorescent clamp-on lights that I was planning on using for focusing aid, but it appeared that they would then now be my may light sources. No light modifiers, no flags and no white balance adjustment capabilities. I can do this, right?!?! Just rollin’ with the punches… and keeping my fingers crossed.
She showed on time, I explained the situation and we got to work. She was ready to go in half an hour and we shot for about an hour and a half longer. In that amount of time, we had three wardrobe changes and I managed to shoot three rolls of film at 10 exposures per roll for my 6X7 format. In comparison with my digital format and the comfort level of shooting with my digital setup, that’s a huge difference. In that timeframe, I could have shot about 250-300 digital images versus the nearly 30 images I brought home on film.
I developed the B&W film first and later the color film when I received my C-41 color home developing kit. I carefully inspected the images and was not impressed one bit. Why was that? I always love to look at my negatives with astonishment of reliving the moment of taking the image. Yet, I was disappointed. Not at all with Sylvia’s performance, but with my own. Imagine how wonderful it would have been had I remembered to bring the camera battery charger…
It wasn’t until a few days later that I swung by Adolf Gasser’s in the city and was talking with one of my buddies at the video rental counter that he gave some very valuable advice. He said to give it a few days and go back. He assured me that there would be a few gems, and my response was “yeah, right!!”
I waited a few days and came back to them as he said. I needed to get the images scanned and sent over to Sylvia, as per our agreement. I would brace for her to tell me that they were all crap and I would have to profusely apologize. As I sat there scanning away, the images would pop up on the screen and I would think “that’s not bad at all.” Then I started working on a few and I understood what I had been told.
Here are a number of my favorite images. Because of the color of light from the fluorescent lights used, the daylight color balanced Ektar film I was using picked up a lot of yellow tones. I decided to leave the yellowish tones in tact since they gave the images a little more of a vintage vibe. The B&W images were shot on TMax 100. Not too bad for my unexpected film portrait shoot and rollin’ with the punches.
The takeaways here should be that Sylvia is awesome and always double-check your photo gear to ensure that you have everything you’;ll need before you head out the door.