Rolling With The Punches / A Vintage Themed Portrait Session with Sylvia Elizabeth

I travel quite a bit for my day job, which affords me the opportunity to work with models from all over and see the vast amount of talent out there. Last year in September, I attended an industry conference in the Tampa, FL area and took my camera along under the premise of an agreement with a model that proved to be a flake once I was there. After sending a series of messages of desperation to a number of models in the area for help, I was pleased to get a response from one of the most talented models I’ve had the pleasure of working with, Sylvia Elizabeth.

IMG_20141003_0003-11

When scheduling my trip to the same conference this year, there wasn’t a question about whether or not I’d reach out to shoot with her again, but only a matter of whether or not she’d be booked while I was there. Luckily, we set on a date and time, and her friend Nicki, who is a hair/makeup artist with equal talent, would be coming along. We decided on shooting a vintage themed shoot and couldn’t wait.

IMG_20141008_0010-11

The day of our shoot, I would have conference meetings to attend to, but I’d get things ready before I would leave in the morning. I would go down the checklist and make sure that I had enough batteries to power my flashes, had my main and backup memory cards handy and make sure I put my camera battery to charge. Ummm, I said put my battery to charge…. WHERE THE HELL WAS MY BATTERY CHARGER?!?!? Well, it appeared that my battery charger for my Canon 1D Mark IIN was sitting at home while I was in the Tampa, FL area. So much for a photo checklist while packing! Wait a minute, I don’t have a photo checklist while packing either!! Damn… and that’s why everyone needs a checklist, folks.

IMG_20141003_0004-11

What the heck would I do? I can’t cancel the day of the shoot. Not only is that really unprofessional, but a total douche move. So, I would take inventory and see what I could make of the situation. I had a dead digital camera with no chance of finding a local photo shop with a battery charger for that particular battery. Trust me; I called everyone in the surrounding Tampa-St. Petersburg area. BUT, I had brought along my Pentax 6X7 medium format film camera for casual shooting and plenty of film to shoot a few hours worth. My initial thought was, “I’ve been meaning to shoot an all film portrait session, so this is perfect!” Hardly!! I didn’t have a flash meter on me and didn’t have the available cash to go out and buy one at $300+.

IMG_20141008_0004-11

However, I could always use the meter built in my Pentax. That would mean that I would be dependent on ambient or available light and not use my flashes. I did bring along a couple of fluorescent clamp-on lights that I was planning on using for focusing aid, but it appeared that they would then now be my may light sources. No light modifiers, no flags and no white balance adjustment capabilities. I can do this, right?!?! Just rollin’ with the punches… and keeping my fingers crossed.

IMG_20141004_0002-11

She showed on time, I explained the situation and we got to work. She was ready to go in half an hour and we shot for about an hour and a half longer. In that amount of time, we had three wardrobe changes and I managed to shoot three rolls of film at 10 exposures per roll for my 6X7 format. In comparison with my digital format and the comfort level of shooting with my digital setup, that’s a huge difference. In that timeframe, I could have shot about 250-300 digital images versus the nearly 30 images I brought home on film.

IMG_20141008_0005-11

I developed the B&W film first and later the color film when I received my C-41 color home developing kit. I carefully inspected the images and was not impressed one bit. Why was that? I always love to look at my negatives with astonishment of reliving the moment of taking the image. Yet, I was disappointed. Not at all with Sylvia’s performance, but with my own. Imagine how wonderful it would have been had I remembered to bring the camera battery charger…

IMG_20141008_0011-11

It wasn’t until a few days later that I swung by Adolf Gasser’s in the city and was talking with one of my buddies at the video rental counter that he gave some very valuable advice. He said to give it a few days and go back. He assured me that there would be a few gems, and my response was “yeah, right!!”

IMG_20141004_0008-11

I waited a few days and came back to them as he said. I needed to get the images scanned and sent over to Sylvia, as per our agreement. I would brace for her to tell me that they were all crap and I would have to profusely apologize. As I sat there scanning away, the images would pop up on the screen and I would think “that’s not bad at all.” Then I started working on a few and I understood what I had been told.

IMG_20141008_0008-11

Here are a number of my favorite images. Because of the color of light from the fluorescent lights used, the daylight color balanced Ektar film I was using picked up a lot of yellow tones. I decided to leave the yellowish tones in tact since they gave the images a little more of a vintage vibe. The B&W images were shot on TMax 100. Not too bad for my unexpected film portrait shoot and rollin’ with the punches.

The takeaways here should be that Sylvia is awesome and always double-check your photo gear to ensure that you have everything you’;ll need before you head out the door.

Advertisements

First Impressions with Expired Kodak BW400CN Film at Princeton-By-The-Sea, CA

Hey, folks! I’m back with another non-technical review and this time I’m focusing on a particular type of Kodak film that never really found a true following and has since been discontinued as of their Aug 14, 2014 notice. I am referring to Kodak’s BW400CN, which stands for a B&W chromogenic 400 speed color negative. Black and white color negative, you ask? What kind of oxymoron is that?? Well, it was actually a very intelligent move on behalf of Kodak years ago as photo developing was taken over by fancy machines that could crank out color negatives in a matter of ten minutes.

Traditional black and white negatives were developed using a calculated method of temperature, developer and fixer to match each particular film for optimal results that a streamlined process was never made available. To date, most photo labs that process B&W films still do it by hand and is obviously more labor intensive. Yet, as color negative film was manufactured across all platforms and brand names to use the same developing process (C-41), a machine capable of streamlining the developing of the negatives was a godsend. So, what better way to satisfy a consumer market still in love with black and white images than by developing a black and white negative that can be developed in standard chemistry found in the available machinery that would allow for 1HR service for a quick turnaround even at a pharmacy developer? Bingo!

IMG_20141011_0049

BW400CN satisfied a market for photographers that wanted to shoot b&w but didn’t want to pay the price tag and potential human error factor of hand processing traditional b&w film OR didn’t want the hassle of developing their own traditional b&w film at home. And you would expect that this new fangled film would be mediocre at best, right?? Abso-freakin-lutely NOT!!!

Most of my adventures in film have all revolved around the excitement and sense of satisfaction of developing my own film in my bathroom-turned-darkroom with the aid of 3 yards of thick, black felt purchased at the local fabric store that gets pinned to the bathroom door to help seal out the light coming in around the door frame. It’s a ventilated bathroom free of windows, so other than the door frame, I don’t have to contend with any other light leaks. In fact, I only require complete darkness for the process of loading the film into the reels that are then loaded into the developing tanks. Once in the light proof tanks, the lights turn back on and everything happens in the light. Given my enjoyment, I really had no desire to go after a color process b&w film.

One of the golden rules that I heard over and over again was that only b&w was able to be home processed. “You can’t possible process your own C-41 at home!!”, I heard many times. Yet, when I would jump on YouTube or read the photo forums on related topics, I would see people successfully developing their own C-41 at home. There had to be something to it, right? I took the leap of faith with Freestyle Photographic (a huge website for anything and everything for film fanatics and more) and ordered one of the C-41 developing kits.

IMG_20141011_0050

Prior to taking the leap, I had come across a few great deals on both the Kodak and Ilford versions of C-41 b&w films and figured I would have to try this stuff out myself. I found a singular auction that was cheap enough for me to use some Ebay rewards points I had accumulated and used them to purchase an expired roll of Kodak BW400CN to test out. The film was expired by just a little over a decade, so I figured I would have to make some adjustment to compensate for the aging of the film and however it may or may not have been kept. Since this film is a 400 speed, I figured I would go with the recommended adjustment of 1 f-stop per decade to compensate for age and shot this roll at 200 speed.

I used my Pentax 6X7 with a 90mm f/2.8 lens while visiting the neighboring town of Princeton-By-The-Sea, CA. Just a few minutes north of Half Moon Bay, Princeton is a tiny little town with the biggest working fishing community south of San Francisco. Home to one of my favorite seafood restaurants, Barbara’s Fishtrap, Princeton is a frequent hangout for us when we want to get away just a bit and have some great seafood.

IMG_20141011_0053

On the weekends, the locals can be found hovering around the boats returning from their rounds ready to sell the fresh catch just as it comes off the boats. We happened to head down there this April just as the Dungeness crab season was coming to a close. The fishing industry is all too interesting to me and always a great subject for testing out a new roll of film, so I had at it!!

It wasn’t until months later that I took the leap to purchase the C-41 developing kit, and to be perfectly honest, I had almost forgotten all about the roll of BW400CN. What a pleasant surprise to see the beautiful images come to life as the negatives were drying. Just like standard color negatives, the roll of film came out looking murky and with a film on the entire length. I had read that as the film dries, the clarity comes in, so I remained patient. Within a few hours, the images appeared to be popping and my adjustment of the 1-f/stop to shoot the roll at 200 speed was proven accurate.

IMG_20141011_0056

It wasn’t until I scanned the negatives that I truly appreciated the film for what it was. Although I tend to favor the high contrast films, I found that I rather enjoyed the neutral tones and found the images to be incredibly sharp, yet smooth. The film has very good shadow detail and a low propensity to blow out on highlights. Kodak advertises the film to be the finest grained b&w they offered until its announced discontinuation date, but I don’t know about all that. I do admit that it looks great, but there was still plenty of apparent “grain” to the image. Could this be a result from the grossly expired film? Quite possibly, but after the discontinuation notice, I doubt I’ll be able to readily find the film at my local photo shop.

So, what’s the verdict, you ask? I say grab some BW400CN and go to town!! I will be actively looking for auction lots on EBay for both expired and current offering to continue to play with until all stock runs out everywhere!!!

Another one bites the dust…

IMG_20141011_0058